AndWhatBeside(s)Death

LES INSTANTS CHAVIRES

2012-06-30T15:28:00.000-07:00

Choreographical project by Louise Chardon // AndWhatBeside(s)Death

With Frauke Mariën, Kayoko Minami, Gala Moody, Marianne Deboer, Silvia Costa / Dramaturgy : Luk Van den Dries / Sound : Fabrizio Rota / Lights : Giacomo Gorini.

This creation is movement, circulation. As air and water submit to the same laws of movement, I wish this creation to be the living expression of these laws, a trance which embraces dancers and spectators.

We are born from a breath, our very first movement, the most intimate, the most internal.
Here I begin, and from here I progress. I become vibration, a vibration that expands and becomes pulsation, breathing, reptation, emotion, aspiration, sigh and silence. This cycle runs through me and builds me up, at every repetition of it I grow. Each of its repetitions is a step to achieve the next one. We exist and transform into the spiral of that cycle, beside each other, between each other. Times and instants are different but the path is the same.

All the value of this choreographical work rests on our breath. I am looking in this creative process
to create a choreography that navigates from instant to instant with no discontinuity into its dynamic growth. I wish to awaken the expressivity of our bodies lifted by deep and essential flux and impermanent tonalities.

The dancers evolve through a cycle which travels from now to birth to re-birth, from elevation to collapse, from condensation to expansion, from primitive to human, skin to clothes, reptilian to bipedal, unknown, recognisable, nameable, dis-recognisable ...
From embryonic breath to the sigh of despair we will touch you till your most intime vibrations. Louise Chardon

June 28, 29 & 30 > 20:00 > CarWash Theater - Sergeyselstraat 42 - 2140 Borgerhout (Antwerpen) - 12€.
Info's & registration : info.awbd@gmail.com / +32 496 21 43 50
October 26 & 27 > 20:30 > Cc Berchem - more info's : www.ccberchem.be

FENESTRA OVALIS

2012-03-31T15:23:00.000-07:00

FENESTRA OVALIS is een dansvoorstelling van Louise Chardon geïnspireerd door het plastisch werk van Berlinde de Bruyckere.

De Fenestra Ovalis is het meest gevoelige en kwetsbare membraan in het lichaam, dat zich bevindt tussen het midden- en binnenoor. Deze fragiliteit is juist wat de twee kalk witte figuren op het podium benadrukken; ze lijken in zichzelf gekeerd; vereenzaamd, verkrampt en vertraagd, penetreren hun stille bewegingen langzaam de huid van de toeschouwer.

Het duet is intiem en minimaal. Deze twee figuren zijn de lege kamer van elkanders hart. U wordt uitgenodigd om hier binnen te kijken, te zweven van ijs naar vuur, onder een gouden gloed, ogen geraakt door nerveuze huid.

Om de sacrale sfeer van de scène te benadrukken krijgt het publiek de mogelijkheid om tijdens de voorstelling een gelaatsbehandeling te ontvangen met 24-karaats goudblad, de zogenaamde ‘golden face’, een schoonheidsritueel dat reeds werd toegepast op godinnen uit de oudheid. Het contrast tussen deze koude lichamen en de warme, intieme setting creëert een bijzondere ervaring.

________________________________________

FENESTRA OVALIS is a dance performance by Louise Chardon freely inspired by the sculptures of Berlinde de Bruyckere.

The Fenestra Ovalis is a membrane; the key door between your middle and inner ear. It is an extremely sensitive and vulnerable point in your body. This is what the two chalk white figures on stage represent; opened to let through or locking you in. Once their gaze enters your soul it can't return.

This duet is intimate and minimal. These two figures are the empty chamber of one's heart. You are invited to gather into this chamber and float from ice to fire, over a warm mandala, under a gold cover, eyes touched by nervous iced skin. The line of sound will set itself like a moving horizon, able to open up other spaces in the physical performance.

 To stress the sacral atmosphere of the scene, the spectators can choose to receive a special treatment on their face with 24 carat gold. It is a beautiful and extremely pleasant way to view the performance. The contrast between these cold bodies and the warm, intimate setting creates a magical experience.

FENESTRA OVALIS

Een duet van Louise Chardon & Laure Myers
Dramaturgie : Luk Van den Dries
Geluid : Fabrizio Rota
Licht : Bern Van Deun
Productie : AndWhatBeside(s)Death

Op woensdag 23, donderdag 24 en zaterdag 26 november 2011
Om 20u & 30, 31 maart 2012 om 20u
CarWash Theater, Sergeysselsstraat 42, 2140 Borgerhout
Voor info en reservaties info.awbd@gmail.com of 0478 184 636
Tickets 12euro / 32euro inclusief Golden Mask.

POETICAL STRUCTURES OF THE BODY // BONES

2012-01-28T15:23:00.000-08:00

6 encounters around a chosen thematic.
Bones (anatomical studies and movement investigations).
In this serie, we will investigate the constitution of our bones, articulations and
skeletical system in general. We will touch the aliveness and ﬂexibility of our bo-
nes, move into the ﬂuidity of our joints and dive with our consciousness into the
deepest layers of the bones ﬁbers. To enlarge the consciousness of our bone
structure helps us to reach more clarity and precision in the use of ourself in
movement and in thoughts.
The sessions will be leaded by Louise Chardon and are adressed to all movers
and bodywork lovers.

14:00 > 18:00
Jan 28, Feb 25, Mar 24, Apr 21, Mai 19, Jun 23
140€/6 sessions or 75€/3 sessions

More info & registration info.awbd@gmail.com / +32 496 21 43 50

CARWASH THEATER
SERGEYSELSSTRAAT 42 - 2140 BORGERHOUT

DANSLESSEN VOOR KINDEREN

2012-01-14T15:28:00.000-08:00

Vanaf zaterdag 14 januari 2012 starten we opnieuw een reeks lessen hedendaagse dans voor kinderen in het Carwash Theater.
In deze lessen verkennen de kinderen de bewegingsmogelijkheden van hun lichaam en het tijds- en ruimtegebruik. Het dansplezier dat daaruit ontstaat is voor ons het belangrijkst.
Binnen het kader van de dansfundamenten worden de kinderen gestimuleerd hun eigen verbeelding en creativiteit in beweging uit te drukken in relatie tot de anderen. Vanaf 5 jaar bieden we ook danstechnische elementen ter verkenning aan.

De reeks wordt opgedeeld in 2 keer 9 lessen
reeks 1: 14, 21 en 28 januari; 4 en 11 februari; 3, 10, 17 en 24 maart
reeks 2: 21 en 28 april; 5, 12 en 26 mei; 2, 9, 16 en 23 juni
We werken in 3 groepen:
4–5 jarigen: 9u–9u50 (45,00 euro/reeks)
5–6 jarigen: 10u–11u (45,00 euro/reeks)
7–9 jarigen: 11u15–12u30 (54,00 euro/reeks)
Op 23 juni organiseren we een Open Deur met alle groepen samen van 10u tot 12u.
Alle lessen gaan door in het Carwash TheaterSergeysselstraat 42, Borgerhout.
Inschrijven kan ter plaatse, na de eerste les, maar we weten graag op voorhand wie we mogen verwachten.
Meer info en inschrijving
info.awbd@gmail.com
louise.chardon@yahoo.fr/ +32 3 235 66 29
lu_marivoet@yahoo.com/ +32 477 71 71 85

TRAINING PROGRAM

2012-01-09T15:24:00.000-08:00

January - March // June 2012 @ CarWash Theater - Sergeyselsstraat 42 - 2140 Borgerhout

TRAINING PROGRAM
From 9/01 to 26/03 Every Monday’s (except 20/02 & 19/03)
10:00 to 12:00 > Contemporary technique
16:00 to 17:30 > Fascia streching
17:45 to 19:45 > Ballet technique
Fascia Streching : 9€/class, 50€/6 classes, 85€/11 classes.
Contemporary & Ballet : 10€/class , 55€/6 classes (Ballet or Contempo), 95€/11 classes.
The classes are taught by Louise Chardon and the level is adapted to the participants.

The approach of movement I propose is not meant to be defined. Its particularity is its constant evolution and the diversity of its influences. The anchor point of my pedagogy is the respect of physiological laws and its profond motivation is the expression of heart and soul.

It is important to me to transmit what I feel, to impulse interest for self-investigation and to stimulate streams of creativity to bring out unexpected physical and psychical answers.

At first, i’ll invite you to open yourself to gravity, to question your deeper physical mobility and cultivate a more essential consciousness of your fondamental supports in order to eliminate superficial muscular tensions.

In a second phase, we will animate the vertebral axis and its belts (pelvic, thoracic, scapular and cranial) to build up a structurised and creative dialogue with movement.

To end, we will re-visite the pathes we went through in the previous phases and precise our sensation and engagement in movement and space, we will sharpened the consciousness of our alignement and the transport of cinetique forces to lead us fearther in taking risks and enlarge our self-engagement into movement.

My proposals wishes themself circular and silmutanuously supportive and opened. Louise Chardon

THEMATIC // BONES
Each semester we propose a series of encounters around a body system. We decide to repeat bones this semester because the ﬁrst edition was partly cancelled. The sessions will be composed of anatomical studies and movement investigations. This proposal is leaded by Louise Chardon and is adressed to all movers and bodywork lovers.
This semester the sessions will take place on Saturday afternoons from 14:00 to 18:00.
Dates : 28/01, 25/02, 24/03, 21/04,19/05, 23/06.
140€/6 sessions - 75€/3 sessions

CONTACT IMPROVISATION
Contact@carwash biedt de gelegenheid om op regelmatige basis vaardigheden te ontwikkelen op gebied van contactimprovisatie. In de loop van deze reeks werk je aan gewichtsuitwisseling in de verschillende hoogtelagen
- ‘rolling-point-of-contact’, dans met meer of minder gedeeld gewicht, licht of zwaar contact
- openheid in communicatie; communicatie van intentie via je structuur; open beslissingen;
- open responsiviteit versus gewoonte; subtiele luisterskills.
- werk in trio’s; vloeiende afwisseling tussen dragen en gedragen worden
- ongelijke partnering: leiden en volgen; blind leiden; ‘manipulaties’ en ‘immersies’
- improvisatie in groep: solo-, partnering- en groepsbewustzijn; ik vs jij en ik vs wij
De workshops spitsen zich telkens toe op 2 of 3 “skills”.
De jams die daarop volgen staan open voor iedereen en maken het mogelijk elementen uit de workshops verder te integreren.
Begeleiding: Louise Chardon, Christie Di Perna, Lu Marivoet en gastdocenten
8 & 29/01, 19/02, 11 & 25/03, 15/04, 13/05, 3 & 24/06
Workshop: 10u30 – 13u00 // Jam: 13u30 – 16u30
9 dagen: 180,00 euro (workshop+jam) // 3 dagen: 75,00 euro (workshop+jam) // jam/dag: 7,00 euro

BODY_MIND ORGANS

2011-08-28T15:30:00.000-07:00

Summer Workshop bodywork and movement.

In South of France – Dordogne.

This workshop is a studying and exploring vacation around our inner organs, with as references, the Taoïste knowledge of the organs and their related meridiens and the Body-Mind Centering® approach. We will discover all different qualities, personalities that we carry inside us and how to integrate them better by deepening our consciousness of our organs and their influences.

Hilde Broeckhove will, from her Taoïste experiences and knowledge, bring us to more consciousness of our organs and their related meridians - the streams of their vitality - this into the phylosophy of the 5 elements. We will encounter the specific energy of each of the 5 elements and their related couple of meridians/organs by Meridian Chi Kung® exercises and free movement. We will also discover the materia and shapes of our organs by the practice of organ massages. To enter in contact with our organs, our inner familly, brings us in contact with the emotions within us.

Meridiaan Chi Kung is a sery of exercises elaborated by Dirk Oellibrandt, fondator of the 4D Life School. These exercices open the body through the meridian system and re-stimulate the sensation of flow in each meridian. This brings us to an increased state of peacefulness, vitality and joy. Your body will feel released from its blocages and toxines, strengthened in its center, more flexible and with a clearer sens of structure.

Louise Chardon, from her experiences in Body-Mind Centering®, will propose an anatomical and physiological study of the different organs systems and will guide us to experience our organic systems in movement, touching, visualization and/or somatisation. We will learn how to initiate breath and voice from our organs, how to analyze an disharmony in/between them and how to facilitate a re-balancing.

Body-Mind Centering integrates movement re-education and hands-on repatterning. The work is based on the rich and varied sources of anatomy, physiology, kinesiology and developmental principles. At the core of our courses are detailed approaches to access and explore each body-system and their integration in the patterning of our movement. We do this in a range of dynamic and physically active ways, and learn through our personal processes. Our experiences are the ground from which we work with others. This revolutionary approach is founded in the fullness of our very own sensory experience. The journey we take leads to greater awareness and deeper understanding of ourselves as human beings. It helps to understand how the mind is expressed through the body, and the body through the mind.

This workshop is meant for people who already have a certain experience in bodywork and movement.

Price: 450€ (to be payed before July 15th), 500€ after that date, inclusive courses and accomodation. 190€ for the meals (breakfast, lunch & diner from August 13th (diner) to June 21st (breakfast). Natasja will be taking care for the meals, in a bio-vegetarian spirit, touched by macrobiotiques and inspired by world flavours with a lot of colours and smells from the local aria. If some one else inscribes thanks to you, you’ll get a price reduction!

Location: Laumond is a domain at the end of a road between a farm and a corn field, on top of a hill at the border between Corrèze and Lot. The domain is composed of 2 re-arranged farms, a big house, a studio, a garden and a swimming pool. The house and the studio can receive up to 15 people One of the 2 farms is re-organised as a working space (superficy 300m2/ working floor 10x12). The other farm stays for private use.

Schedule: The workshop starts on August 14th at 10am and ends on August 20th at 1pm. The courses will take place every day from 10am to 1pm and from 3:30pm to 6:30pm. Day off on August 17th. On some days, will be proposed or morning meditation or organ massage evenings. These sessions are free from participation and included in the total price. Private organs massage sessions can be given on request (40€).

Possibility to arrive on August 13th evening (diner is forseen).
Possibility to leave on August 20th after lunch or August 21tst in the morning (breakfast forseen).

Accomodation: 2 persons/room or you can bring your own tent. No difference of price.

Transport (from Belgium):

By car: 800km / 7hours / 100€.
By train: 9hours / 150€ Bruxelles > Paris = 1h22  Paris > Brives > Bretenoux = 6h21 + car service to Laumond = 15km / 3€.
By plane: 1h30 / 50€ (Ryanair) Charleroi > Bergerac + car service to Laumond = 150km / 10€.

All transport informations are given as informations. It is up to each participant to take care for the organization and cost of his/her trip. Only the car services to Laumond are organized by us.

Info and registrations:

hilde.broeckhove@gmail.com or louise.chardon@yahoo.fr
Register the latest on July 15th.

Production AndWhatBeside(s)Death

SENSORAMA - A JOURNEY THROUGH THE SELF-IMAGE

2011-04-15T11:40:00.000-07:00

Intimate Theater by Luk Van den Dries, Louise Chardon, Lawrence Malstaf &
Ief Spincemaille.

Sound by Vincent Malstaf.

With Hilde Broekhove, Leen de Graeve, Afrika Martinez Ferrin, Laure Myers, Raquel Odena Hernandez,Hanna Scholtyssek, Rit Verbeelen, Jempie Vermeulen.

Intimacy and theatre struggle to relate.
Theatre is abundance is multitude is being together.
Whereas intimacy is just for you singular no praise required.
So how do you stage intimacy?
Without fiction on set. No more story-telling.
No demonstration.
Only the spectator’s story.
Performing his intimacy’s play.
The stage as a husk of what is supposed to be private.
Revealing what hides behind the tongue.
Descending inwards.
Puncturing the skin. Plummeting through organs.
Reaching for the dirt stuck between wrinkles and creases.
That is where Sensorama wants to be.
Between deeper layers of self-perception.
There, where intimacy is at stake.
One on one.
Tonight we perform for you and nobody else.
Just for you.
Our theatre does not need a lot. Just you.
Be welcome.
Be bare.
So we can start all over again.

SENSORAMA – A journey through the self-image is an interactive performance in which the visitors can explore in very different ways their self image. The performance aims at inviting the participants to dig deep into the liminal zones of this self image. In fact, we see SENSORAMA as a playground in which – even for a short moment – you can break open the frontiers of your self image so that more possibilities can enter the intimate knowledge of yourself and more zones are accessible for experimentation. The performance also aims to offer a way for visitors to get into touch with the many contrasting layers of the self image as a playground for change and transformation. The exploration takes place in different phases. The participants are invited to look at themselves under different “angles”/ “rooms”.

SENSORAMA can also exist in adapted format for different specific context as young audience, seminaries, events, etc. We regularly present the 4th installation of the project (The bubble) in the frame of Management seminaries leaded by Dirk Oelllibrandt.

UNDERTONE

2011-03-12T15:29:00.000-08:00

The performance Undertone is a choreography that focuses on the potentials of sensory perception of the audience. Stemming from the interest to challenge spectatorship and destabilize the convention of watching performance, Undertone invites the audience in a complete dark space to participate in an orchestration of fictional spaces. Hereby, the performance prioritizes mechanisms of perception other than vision by proposing an immersive experience of different kinds of stimuli.

In Undertone, the body of the audience members is considered in all its potentiality to sense and navigate within an environment composed of a large spectrum of sensory movements such as tastes, sounds, smells, temperature fluctuations, touches, and ephemeral scenographies.

Concept and choreography Sidney Leoni (fr/se)

With Sidney Leoni, Andros Zins-Browne, Luís Miguel Félix, Manon Santkin, Christina Vantzou, Louise Chardon, Kayoko Minami, Aurélien Patouillard, Jessica Hagmeijer, Monica Le Bruyn, Kimberley Olsthoorn, Margareth Kaserer, Leen De Graeve, De Boer Marianne, Louise Baduel, Zoranne Serrano and Koen Van de Wiele.  

A co-production of AndWhatBeside(s)Death and Sidney Leoni 

2 Performances on Saturday 12 march at 7pm and 9pm. 
@ CarWash Theater, Sergeysselsstraat 42, 2140 Borgerhout 

Reservations: info.awbd@gmail.com or 0495 41 32 62
The performance can allow only 30 spectators per evening. It is highly recommended to reserve!

Funded by Konstnärsnämnden, the Swedish Arts Grant Committee. supported by Jardin d´Europe, Cullberg Ballet; 4Culture Association/Explore Dance Festival (Bucharest), Car Wash Theater (Antwerp): Tanzhaus nrw (Düsserdolf); Tanz Im August/Sommer.bar (Berlin); Weld (Stockholm); Danshögskolan, University College of Dance (Stockholm) and the Culture Programme of The European Union.

Some reactions:

Luk Van den Dries – dramaturg and professor theatre studies
"Undertone is an experience in immersive theatre. The performance is not in front of you, but is everywhere, around you, behind you, behind your ears, under your nose, close to your skin and beforemost: between you ears. It's a sound/smell/body-scape that invites you to travel into your own imagination. The most impressive aspect of this performative adventure is the sensitive quality of it. But at the same time Undertone confronts with questions about spectatorship: what doe it mean to watch? Or being watched?"

Bojana Cvejic – critic and dance teacher
"Undertone is an ambitious study of a number of notions that currently draw research attention in choreography – ideas about sensation, affect and active perception. Sidney ventured in medias res to explore social situations in performance which would bring about sensible encounters between strangers. Something related to secrecy, social awkwardness, unspoken rules of behavior."

Kerstin Schroth – artistic director Sommerbar/Tanz Im August
"Undertone has been artistically a very important contribution to sommer.bar 2010, as it is a piece that directly involves the audience in a participatory way. A piece in the dark that crosses the borders of a normal theatre situation, stimulates other sense of the public than just the visual and acoustic one, but also triggers the sense of smell and touch. A fabulous work!"

AŸN - LA BAIGNOIRE DU DIABLE

2011-01-12T11:21:00.000-08:00

A solo-performance by Luk Van den Dries and Louise Chardon, with Louise Chardon.

A production of AndWhatBeside(s)Death vzw
Co-production Troubleyn (JanFabre), KcNona (Be), Warande (Be).

"Rien n'est si insupportable à l'homme que d'être dans un plein repos, sans passion, sans affaires, sans divertissement, sans application. Il sent alors son néant, son abandon, son insuffisance, sa dépendance, son impuissance, son vide. Incontinent, il sortira du fond de son âme l'ennui, la noirceur, la tristesse, le chagrin, le dépit, le désespoir." (Pascal, Pensées, II, fragment 529).

AY¨N is a performance about the ‘gap’ in a female identity. A gap which is filled with pain to circumscribe the I of the central character. Main material in this performance is wax which is heated and melts on the body of the performer. The performance is full of poetic and cruel images in which the central character is transforming into different shapes. This character – her name is Ay¨n, as the Hebrew letter - makes a journey in between light and darkness as an expression of the extremities of her identity.

INTIMICY & SENSITIVITY

2010-11-28T15:29:00.000-08:00

Intimate and sensitivity theater workshop - leaded by Louise Chardon

Louise Chardon is since 2005 searching and developing as a performer and director into interactive theatrical projects (cf. Ring, Love Zoo & Secret Service - Felix Ruckert), Sensorama, Ilessness, Lab Project - co Luk Van den Dries / AndWhatBeside(s)Death vzw). In this Workshop I am interested to share with you the basic principals of what I call Intimate & Sensitive Theater. We will study qualities of presence, of touch and learn how to compose an encounter. To start each day, I will propose a body-mind conditionning/training and then some experiences according to each thematic of this workshop (presence, touch, encounter). Next scheduled workshop in spring 2011 in Paris at Canal Danse. More info will follow.

MORE THAN LEARNING TO ACT, DISCOVERING TO SENS
MORE THAN EXPRESSING, UNDERSTANDING TO COMMUNICATE
MORE THAN THINKING TO BE, FEELING TO BE

LAB-PROJECT

2010-02-27T15:30:00.000-08:00

Research on Intimate & Sensitive Theater
Initiated and leaded by louise Chardon, with the collaboration of Hilde Broeckhove, Leen De Graeve, Marieke Breyne, Lu Marivoet, Caroline Mathieu, Raquel Odena and Hanne Carrein.

THE LAB PROJECT was an experimental research on Intimate and Sensitive Theatre which started in October 2009 and ended in February 2010.

It was meant to give a frame to the prolongation of my previous work on Interactive Theatre (Sensorama ; Ilessness). The main quest explored during the Lab was how to enter and nourish someone’s imaginary ﬁeld by touch, movement, words, sounds, smells. With a group of dancers/actors/performers/students I tried to dig deeper and work into more detailed aspects of sensitivity and perception so that we could reach beyond the ﬁrst layers of understanding and ﬁnd more subtleties and new dimensions of communication.

We learned how to unfold our intuitive path to understand them and to be able in a certain proportion to revisite them. We also draw our inspiration and creativity from the imaginary of elements (water, ﬁre, air, earth, space, etc). I looked for some input from artistic streams such as Surrealism and philosophical literature Merlau-Ponty “Phénoménologie de la perception”, and the studies of Gaston Bachelard on the poetics of elements.

Some sessions were opened to an audience who was offered the choice between being involved as participant (active spectator) or simply watch (obsevor). During these open sessions, as performers, we worked like we usually did without audience. We developed a line of search from a predeterminated theme (bvd. the non border between audience and performing space and the ﬂuctuability of distance between performers and audience members / imaginary of water).

I-LESS-NESS

2009-10-31T11:29:00.000-07:00

"There is only one world. Things outside only exist if you go to meet them with everything you carry in yourself. As to the things inside, you will never see them well unless you allow those outside to enter in."

Manama Theaterwetenschap
De afdelingen theaterwetenschap van drie Vlaamse universiteiten (VUB, UA, UG) bieden samen een voortgezette opleiding in de theaterstudies aan. Studenten van de master-na-master opleiding verdiepen zich een jaar lang in de explosie van theatraliteit zoals die de laatste jaren op scene te zien is. Vanaf oktober is er wekelijks bijeen gezeten om I less ness vorm te geven. De laatste twee weken is er (inclusief kneuzingen en blauwe plekken) onafgebroken gewerkt in de CarWash. I-less-ness is een sensitieve en interactieve voorstelling waarbij het publiek wordt uitgenodigd een duik te nemen in de diepe poel van de zintuigen. De studenten hebben zeer uiteenlopende vooropleidingen genoten, van geschiedenis, productiontwikkeling, interieurbouw, architectuur en kunstgeschieden tot filosofie en audio/visuele vormgeving. Ze zijn afkomstig uit Slovenie, Oostenrijk, Nederland, Belgie en Zottegem.

Regie en concept: Louise Chardon
Spel, tekst, vormgeving, techniek, productie, soudscape, scenografie, chefkok, dramaturgie, video en website: Nele Bauwens, Koen Bollen, Mathilde Bonte, Marieke Breyne, Bart Buytenhek, Benjamin van Crombrugge,Karolien Debleser, Hilde Geerts, Katja Geerts, Erik Heestermans, Axelle Kennes, Caroline Mathieu, Nynke Oele, Nika Pegan, Melika Ramic, Isabelle Stockmans, Katrijn Verlinden, Brecht Wille.